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Classification of the color.
Classification of the colors. The colors, as already we know, are classified in
warm groups of (yellow and red) and colds (green and blue). The foundation of
this division is simply in the sensation and human experience more than in a
scientific reason of type. Warm colors: The warm colors in clear shades: creams
and roses, suggest gentleness, femme, amiability, hospitality and rejoicing and
in the dark shades with predominance of red, vitality, power, wealth and
stability. By association the solar light and the fire to the red-orange, the
yellow, etc. The distinction between warm colors and cold colors is enough
current. "The warm" terms and "colds" as soon as they talk about pure dyes, it
would seem that the red one is a warm color and the blue one is cold. Both terms
seem to acquire their meaning when they talk about to the deviation of a color
given in the direction of another color. A red yellow or a bluish one tends to
be cold, like also red or blue a yellowish one. On the contrary reddish blue
yellow or seems warm. The one that determines the effect is not the main color,
but the color that is turned aside slightly of him. Blue a reddish one seems
warm, whereas red a bluish one, seems cold. The mixture of two colors balances
would not show the effect clearly. The green one, mixture of blue yellow and,
would come near more to the cold, whereas the combinations of the red one with
the blue one to give the purple, and with the yellow, to give the orange, they
would tend to the neutrality or the ambiguity. It seems that the balance between
two colors that integrate a mixture is extremely unstable. It can be made easily
that one of them predominates on the other.
The observer can see in an orange (orange), a red one
modified by a yellow or a yellow modified by a red one. In the first version the
color was cold, in the second, warm one. The phenomenon of the assimilation and
the resistance will cause that one of the colors acquires relief to expenses of
the other. This way the instability of the mixture is reduced greatly and
therefore its "temperature" can be defined with more security. The one that
produces the expressive quality, like its afflictions is not as much the
dominant dye. Perhaps the basic dyes constitute quite neutral values, that are
distinguished rather by their character of singularity and reciprocity that by
its specific expression. And only when the color produces a dynamic attention
when inclining towards the other color, it reveals his expressive
characteristics. The saturation or chromes talks about the purity of a color. A
complementarily pure color would be produced only by a luminance wavelength.
This condition is noticed more close by in saturated dyes of the phantom. When
the colors of different wavelengths are mixed, the resulting vibration becomes
complex, and the color, is of a more faded aspect. When more resemblances the
wavelengths that are mixed, as much more saturated are the mixture.
The minimum of saturation of obtains with colors that give
like result an achromatic gray. The colors that produce this effect know with
the name complementary. The degree of obtainable saturation varies with the
value of clarity of the color. The impurity accentuates the temperature quality
that establishes the modification dye, being that a color warm is still warmer
and one cold, colder. Cold colors: One considers them by association with the
blue, violet water to and the greenish one. The cold colors in clear shades
express gentleness, freshness, expansion, rest, solitude, hope and peace and in
the dark shades with predominance of blue, melancholy, reserve, mystery,
depression and slowness. The climate influences much in the taste by the colors.
The people who live in warm countries and on much sun prefer, the warm colors,
whereas those others that live in latitudes you cold and have little sun they
show his taste by the cold colors. |
