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 Theory of the design

Theory of the design. ARCHAIC CERAMICS And PAINTINGS. DECORATED VASIJAS ARCHAIC. Towards year 675 a. C. The painters of ceramics of Corintio began to decorate the pieces with black silhouettes of figures, animals marching past generally, made with cleared and ready forms in one or several small frisks. Protocorintio is the denominated style. In the style corintio, that was totally developed towards the 550 a. C. And of which conserve numerous examples, the glasses are jammed of figures on floral bottoms. In vessel fabulous monsters often imagine, like the chimera that spits fire, a creature with lion head, body of goat and tail of dragoon. In the average archaic period, Athens saturated the Mediterranean market of ceramic objects. The popularity of the Athenian ceramics had to its practical character, its beautiful proportions, velvety finished his, black like the jet *, and to the narrative scenes whereupon it was decorated. The decoration of vessel ceramics with the technique of the black figures, that arrived from Corintio at Athens towards the 625 a. C., was combined with the old Athenian, more linear style and of greater size. The decoration was made in engobe * black on the red color of the clay. The details were recorded by incision and sometimes they stood out and depth with the use of reflections of red and white color occurred them. As of this moment, the scenes represented in the ceramic glasses and the artists who painted them can identify by certain inscriptions.

The glasses decorated with the technique of the red figures were made year 530 a. C. for the first time, by initiative of the Andocides ceramist. The decoration was made with a pictorial technique to the inverse one, that is to say, the bottom painted of black, leaving the figures in the red color of the clay. The details, instead of becoming by means of incisions in the clay, were drawn with engobe black that often formed a subtle relief. A new color, the chestnut tree golden, obtained when diluting the black varnish was also used. The Athenian painters developed towards the 540 a. C. A new style. These innovations, besides to show an increasing interest by the human anatomy, brought a new conception of the space that became patent in the use of escorzo * and in the use of a layer of brown color to create shades. This it was the beginning of a type of painting in which the tridimensionalidad illusion obtains so much by the shaded one of the figures as by the resistance of color spots. Although the style of the black figures throughout continued being dominant the archaic period, the production in the style of red figures went away increasing little by little.

Design of Structures for the Architecture. Armed members. The armed members are obtained to each other connecting two or more plates or profiles, so that they act like a unique member. These members can be necessary due to area requirements, the one that sometimes cannot be provided with a laminated profile simple, or by rigidity requirements, since for a same area it can be obtained a little while from much greater inertia with sections armed than with laminated profiles simple; another reason can be the necessity of an suitable connection, when wide or peralte required for the connection of the member cannot be obtained with a laminated section standard. Another advantage of the armed members is that they can become sufficiently rigid so that they support to compression as tension as much and, therefore, are desirable of structures where investments of efforts can appear.

 
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